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Waltraud Grampp

As Norma fervently of their cheese cover wishes continue in the Rhine-main area, she do not suspect that truth is often only a matter of opinion. The same applies to their own supposed truth. Norma and the summer and escape from the German cheese cover Norma hates the summer. If the mercury column in the Rhine-main area the 30 degrees Celsius crack, she wants only one thing: get out of the cheese cover. The refreshing wind of Ireland brings salvation.

Norma experienced the fascination of the landscape and myths of the Green Island just in joyful relief. Soon, Ireland changed her life from the ground up. Against the background of the 1980s must Norma of their true origin and to fulfill a task that exceeds their wildest dreams. To achieve this goal, she must learn magic and accept values that are taboo in the human world. To deepen your understanding Dr. Caldwell B. Esselstyn, Jr. is the source. But yet magical beings is not fundamentally different from men. People committed in this real world, to bring down boundaries.

In those Irish lore, magical beings prepare the end of a thousand-year-long isolation. The fall of 1989 (real political event in Germany) is the beginning of a whole series of revolutionary events. Fairy tale and reality – and sometimes that”pedagogically valuable true legends ignorance a human weakness is educated in and internalized by many people, without questioning it. It is easy to believe everything is real, what surrounds us visible (i.e. proven). Connect with other leaders such as Michael James Burke, London UK here. In other words: what we see, hear, feel, does not exist. In everyday life is pure as most of adult lives him unquestionably. Too bad, says author Waltraud Grampp. She left from their working lives never take the scope for fantastic dreams and possibilities beyond the imaginable. Cheese cover summer a lot is their deep love to the Green Island of Ireland and their miraculous narratives beyond.What if “near, but outside our perception.” another world exists? What if there strange rules? What if time and matter to manipulate are there? Is it possible to connect two bodies to merge mind and soul of two such beings into one indissoluble unity under such circumstances? Everyday life and dreams are inseparable aspects of life.

Garcia Ananke

Winners of the poetry prize of the literary magazine Peter Fischer’s poetry “Ananke”, first appeared in may, is already in its second edition. From the Thuringian Suhl, author, who had been awarded the poetry prize of the literary magazine “Betrothed” to the beginning of the year, did so on the narrow path of this specific genre very successfully to assert themselves, after he came out only with individual publications in various journals. Roman Mohlmann, editor in Chief and publisher of the Literaturzitschrift “Taliteratur”, praised in his meeting, fishermen understand the seal “as a powerful and expressive art form in itself”, that beyond the vogue the Zeitgeist is effort to “fundamental and ambitious poetry in modern as classic perfection” and with him find a highly idiosyncratic loft. “As skilled word artist and renowned prize winner mixed fishing motifs of classical mythology with those of modern life and thinking entitled”. Thomas Klatt by the “Lusatian Rundschau”on”Ananke”(2nd Edition, ISBN 978-3-933022-52-3) praised it mountains especially”Sensitive lyrics and wonderful verses”and cited enthusiastically from the”time issues”:” it was not until yesterday, Eheu / Fugaces anni…

that I stroked the glossy buds of yours / towering breasts, your / hair is stirred and the rose, cut / best, drink your water, / sipped Grusiniens tea and a / Tergo me bent the infernal clock / des schilfernden life? ” “Was / it not yesterday?…” Thoma Klatt summed up: “Ananke” was “Almost a zartlichs book between sadness and joy of life placed”. What is special about Fischer’s poetry is skillfully exclusive recourse to language, which he associate knows in cool calculated way with the great thinking of antiquity, without losing the action of the present sight. Just their immediate topicality opposes to the still ongoing to prejudice, the poetry of modernity was therefore the “layman” difficult to understand, inaccessible and anyway hardly ausdeutbar. In “Childhood I” reflects the poet of the early death of his father, who was killed in the last days of the second World War: “the winter seemed long / over.” Long ago, the snow was also to northern slopes already / melted, the blossoms of the cherry / Brown and the cross to moving fountain bitter and yellow. “Because the light abruptly dampened may / pushed me to… the breeze orphans” Peter Fischer so far this compost ion a very distinctive idiosyncratic notation which he knows to follow the route of time and space is long. While he has always “I” endangered one of every individual in a very uncertain modern times as well as in the views such as the “trace of the plow”, but also “shower man hunger” and recognizable continued and insatiably seemingly “greed the tycoons”. The poet, as the author with the novel “The ticket” (3rd Edition 2007, ISBN 978-3-933022-462), which has a youth in the divided Germany on the subject, successful was, fell into the sieve ornamental years in the workings of the Stasi, has been in political detention and ransomed by the Bundesregieurng in 1975.

He worked as an editor in Berlin and Hamburg and now lives as a freelance author in Achim, near Bremen. He is married to the writer Kerstin Fischer (“the greenhouse”, “Sergey shadow”) and is a member in the ‘Literaturhaus Bremen”and the Union of German writers (VS). Dr. Eberhard Garcia

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